
Here's the website.
The Buddhist concept of reincarnation, while both mysterious and enchanting, is hard for most westerners to grasp. UNMISTAKEN CHILD follows the four-year search for the reincarnation of Lama Konchog, a world-renowned Tibetan master who passed away in 2001 at age 84. The Dalai Lama charges the deceased monk’s devoted disciple, Tenzin Zopa (who had been in his service since the age of seven), to search for his master’s reincarnation.
I had mixed feelings about this film. I was surprised by the intimate footage captured: the old monk's funeral, where they scavenged pearl-relics amongst ashes; personal interviews between the disciple, Tenzin Zopa, and heavy-hitting lamas such as Lama Zopa Rinpoche and the Dalai Lama; and the inner workings of the divination and search for the reincarnated master. The divination section of the film was revealing. Tenzin Zopa hired a Tibetan monk in Singapore to carry out the ritual. Tenzin and a senior lama watched the proceedings live on a humble, little TV from their apartment in India. The divination read that the father of the reincarnated monk’s name will begin with “A”, and he’ll be located in an area that begins with “Tz”. That's all the information Zopa had to go on.
The search crew reckoned that "Tz" must be the valley of “Tzum” which is where the deceased master spent most of his time meditating in caves. Tenzin Zopa wanders from house to house and through rice fields asking people who has a child from 1 – 1.5 years old. At this point I’m wondering how much information you expect to get from a one year old child. “Are you Lama Konchog?” The boy drools and shakes his rattle.
It’s clear to the villagers what the visiting monk is up to, which makes you wonder how many of them prime their little tikes to act the part. I got the impression some parents would jump at the chance to have their child recognized as a great reincarnated lama, while others were not so enthusiastic to lose their first-born to a system which they may have doubted or even resented. This brings me to the part of the movie with which I had the most trouble.
Tenzin Zopa finds a child who fits the bill. They take the child to a monastery and have him pick out several items from the former lama – the child apparently does it perfectly, though we’re not conversant if he had a 100% success rate. Afterwards, the Dalai Lama is notified via letter, he gives his consent after a divination (cough, cough b.s., cough), and the monk returns to the village to inform the parents that they’ll be losing their precious first-born son. This scene for me was heart-wrenching, perhaps because I’ve just had my own first child.
The parents of the boy comes across as a kind-hearted, simple villagers. They appear perplexed and anxious at this monk who comes strolling into their lives unannounced, taking an unusual, and I’d say unhealthy, interest in their two-year old son.
A big, anxiety-ridden smile is plastered across the father’s face. The mother appears wary, uncertain, and anxious.
“How do you feel about me taking him? Is it okay?”
The father laughs nervously. (What’s he going to say? No? And deny the world another great Lama? How selfish he’d appear to the villagers and ungrateful to the monk.)
When no answer is forthcoming, the monk reminds them “Your son would just grow up here, get married, and work the fields. If I take him, he’ll be a great teacher, a benefit to countless sentient beings.” The father is suddenly motivated. “Well, if he can benefit many people, then I suppose he can go.” The mother speaks nothing. The pain in her eyes says enough.
You have to wonder and question a system where children are snatched from their families and brain-washed to believe they are former great teachers and treated like royalty. Time and time again in the movie Tenzin Zopa reminds the boy what he was like in his former life. The boy is already being treated like a king by everyone. People are bowing to him and wrapping white, silk scarves around his neck. If he’s not really the former Lama Konchog, he will be soon.
It’s a movie well-worth seeing for its intimate, behind-the-scenes portrayal of an esoteric practice that’s been taking place in the Himalayan region for over six hundred years. The grief of Tenzin Zopa at his master’s death turns to joy upon finding the child. The grief is transferred to the family who must return to their empty home. I hope the boy will indeed turn out to be a benefit to countless sentient beings.